I wish I could remember who it was that told me recently that Peter Jackson's King Kong was a great movie. Whoever you are: You Were Wrong, and here's my review from 2008 to prove it. I also think that 2008 may be the last time we sat down and watched a movie (I don't count Thor as "sitting down and watching a movie", though the critiques of King Kong are also surprisingly relevant to that cinematic spectacle.)
So we felt like watching a movie last night. This is an increasingly rare occurrence, as we're usually too tired or preoccupied these days to tie up two hours of our precious free time post-girl-bedtime. But last night we tied up three hours watching King Kong, and all I can say is that Peter Jackson owes me back the extra hour with which he padded his bloated movie.
Peter Jackson does lavish spectacle well -- we've all seen Lord of the Rings. Perhaps he does better work when he's presented with a plot-heavy saga to whittle down into nine 0r so hours of screen time. But his King Kong is thirty minutes of plot jam-packed into three hours of increasingly distancing special effects extravaganza. A bit of action in a movie gets one's adrenaline pumping. Strata after strata of over-the-top dinosaur stampedes and ape chases and Kong fighting men and Kong fighting three dinosaurs at the same time with a girl in his hand! so ossified our suspension of disbelief that by the time giant insects and spiders and tapeworms were devouring our heroes and one guy was using a machine gun to shoot hordes of scorpions off another guy, we were yawning and checking the time. And this from the people who spent a tense half-hour in a stand-off with a single cockroach just hours earlier. (Now that was a situation with real dramatic potential.)
Oh Peter Jackson. What happened? I wanted to like your movie. But why the character development for the ship's crew who suddenly fall off the screen in the last hour? Where did all the natives of the island come from and disappear to? Why the massive and unneccesary plot holes in what should have been such a compact story? Why couldn't we see more of Colin Hanks' production assistant, who was the only character I cared about? How on earth can anyone make a movie that winds up with me skipping past a scene of a guy being eaten by multiple huge tapeworms not because I'm horrified but because I'm numbed by the preceding interminable action sequences? The mind boggles.
Perhaps in my old age I'm getting jaded, but when I chose to spend an evening of my valuable spare time with a movie, I like to be entertained or challenged or at least somewhat involved. Is that too much to ask of the exact same production team that made Lord of the Rings?
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