Because most philosophies that frown on reproduction don't survive.

Friday, April 20, 2012

Surfing with Mel

Oh, Lickona. Only you would be awesome enough to write a meta-screenplay about a meta-screenplay about Mel Gibson dealing with his angst against the Catholic Church (and everything else).

Open on a long shot of Mel’s Malibu estate. We hear sounds of sobbing, screaming, stuff getting broken, a marked contrast to the serene, Mediterranean splendor of the vista. 
MEL (Voice Over): The Catholic Church is not a big fancy church in Rome paid for by people trying to buy their way into heaven. It’s not a guy in a funny hat telling people who they’re allowed to screw and how they’re allowed to screw them. It’s not even weeping, bloody Jesus on the cross – I should know, I made a movie about him. 
As the voiceover progresses, we cut to a mid-range shot of a private chapel on the estate. It’s a gorgeous little building. Suddenly, one of the stained-glass windows shatters from the inside, and we hear, clearly, Gibson bellowing from within. 
MEL (Voice Over): No, the Catholic Church is rehab. It’s a halfway house for people who are just smart enough to know they’re f-cked up, and just dumb enough to hope there’s something that can be done about it short of getting their own sh-t together or blowing their brains out. They know they can’t make it out in the world on their own, so they come here for support. Meetings on Sunday. There’s rules posted by the door, but nobody really checks to make sure you’re in compliance. 
As voiceover progresses, cut to interior of chapel. Gibson is inside, and he’s tearing the place apart. Pews are upended. Light fixtures shattered. The crucifix has been torn off the wall behind the altar. Now Gibson is wielding a huge monstrance like a bat, breaking windows and smashing statues. We come on the scene just as he winds up on a statue depicting Mary – one that looks just like the Mary from The Passion of the Christ. With a guttural cry of anguish, he swings and smashes her head.
MEL (Voice Over): You meet a lot of people inside. Some are on their way up, some on their way down. Some are lifers, and some walk in one day with their eyes shining like they’ve just found Jesus or something. Others have tried to move out and go it alone, only to wind up back inside. That’s how it was for Joe and me. Maybe that’s why I thought we could work together.  
Panting, heaving, Gibson stops his rampage and surveys the damage, simultaneously thrilled and horrified at what he’s done. He pauses to look at the monstrance, which still amazingly, contains the Host. 

1 comment:

Matthew Lickona said...

Aw. Thanks for the vote of confidence. I'm actually going to try to finish this one. Sort of a short story in script form.